FÁBRICA. Daniel Blaufuks. Pierre von Kleist editions (2013). 
Fábrica, a book and film by photographer Daniel Blaufuks, is a collection of images composed into an expanded scenery of memory, a walk through the abandoned spaces of one of the largest factories in Europe in an once flourishing industrial region, that never recovered from the loss of the textile market to the Chinese exports.
Hardcover w/ dust jacket. 172 pages / color, b&w. 20.5 x 25.5 cm / Includes DVD with film ‘Fábrica’ by Daniel Blaufuks  and booklet with text by Daniel Blaufuks and Eduardo Brito (in Portuguese and English). Co-published with Guimarães 2012. ISBN 978-989-97763-2-6 FÁBRICA. Daniel Blaufuks. Pierre von Kleist editions (2013). 
Fábrica, a book and film by photographer Daniel Blaufuks, is a collection of images composed into an expanded scenery of memory, a walk through the abandoned spaces of one of the largest factories in Europe in an once flourishing industrial region, that never recovered from the loss of the textile market to the Chinese exports.
Hardcover w/ dust jacket. 172 pages / color, b&w. 20.5 x 25.5 cm / Includes DVD with film ‘Fábrica’ by Daniel Blaufuks  and booklet with text by Daniel Blaufuks and Eduardo Brito (in Portuguese and English). Co-published with Guimarães 2012. ISBN 978-989-97763-2-6 FÁBRICA. Daniel Blaufuks. Pierre von Kleist editions (2013). 
Fábrica, a book and film by photographer Daniel Blaufuks, is a collection of images composed into an expanded scenery of memory, a walk through the abandoned spaces of one of the largest factories in Europe in an once flourishing industrial region, that never recovered from the loss of the textile market to the Chinese exports.
Hardcover w/ dust jacket. 172 pages / color, b&w. 20.5 x 25.5 cm / Includes DVD with film ‘Fábrica’ by Daniel Blaufuks  and booklet with text by Daniel Blaufuks and Eduardo Brito (in Portuguese and English). Co-published with Guimarães 2012. ISBN 978-989-97763-2-6 FÁBRICA. Daniel Blaufuks. Pierre von Kleist editions (2013). 
Fábrica, a book and film by photographer Daniel Blaufuks, is a collection of images composed into an expanded scenery of memory, a walk through the abandoned spaces of one of the largest factories in Europe in an once flourishing industrial region, that never recovered from the loss of the textile market to the Chinese exports.
Hardcover w/ dust jacket. 172 pages / color, b&w. 20.5 x 25.5 cm / Includes DVD with film ‘Fábrica’ by Daniel Blaufuks  and booklet with text by Daniel Blaufuks and Eduardo Brito (in Portuguese and English). Co-published with Guimarães 2012. ISBN 978-989-97763-2-6 FÁBRICA. Daniel Blaufuks. Pierre von Kleist editions (2013). 
Fábrica, a book and film by photographer Daniel Blaufuks, is a collection of images composed into an expanded scenery of memory, a walk through the abandoned spaces of one of the largest factories in Europe in an once flourishing industrial region, that never recovered from the loss of the textile market to the Chinese exports.
Hardcover w/ dust jacket. 172 pages / color, b&w. 20.5 x 25.5 cm / Includes DVD with film ‘Fábrica’ by Daniel Blaufuks  and booklet with text by Daniel Blaufuks and Eduardo Brito (in Portuguese and English). Co-published with Guimarães 2012. ISBN 978-989-97763-2-6 FÁBRICA. Daniel Blaufuks. Pierre von Kleist editions (2013). 
Fábrica, a book and film by photographer Daniel Blaufuks, is a collection of images composed into an expanded scenery of memory, a walk through the abandoned spaces of one of the largest factories in Europe in an once flourishing industrial region, that never recovered from the loss of the textile market to the Chinese exports.
Hardcover w/ dust jacket. 172 pages / color, b&w. 20.5 x 25.5 cm / Includes DVD with film ‘Fábrica’ by Daniel Blaufuks  and booklet with text by Daniel Blaufuks and Eduardo Brito (in Portuguese and English). Co-published with Guimarães 2012. ISBN 978-989-97763-2-6 FÁBRICA. Daniel Blaufuks. Pierre von Kleist editions (2013). 
Fábrica, a book and film by photographer Daniel Blaufuks, is a collection of images composed into an expanded scenery of memory, a walk through the abandoned spaces of one of the largest factories in Europe in an once flourishing industrial region, that never recovered from the loss of the textile market to the Chinese exports.
Hardcover w/ dust jacket. 172 pages / color, b&w. 20.5 x 25.5 cm / Includes DVD with film ‘Fábrica’ by Daniel Blaufuks  and booklet with text by Daniel Blaufuks and Eduardo Brito (in Portuguese and English). Co-published with Guimarães 2012. ISBN 978-989-97763-2-6 FÁBRICA. Daniel Blaufuks. Pierre von Kleist editions (2013). 
Fábrica, a book and film by photographer Daniel Blaufuks, is a collection of images composed into an expanded scenery of memory, a walk through the abandoned spaces of one of the largest factories in Europe in an once flourishing industrial region, that never recovered from the loss of the textile market to the Chinese exports.
Hardcover w/ dust jacket. 172 pages / color, b&w. 20.5 x 25.5 cm / Includes DVD with film ‘Fábrica’ by Daniel Blaufuks  and booklet with text by Daniel Blaufuks and Eduardo Brito (in Portuguese and English). Co-published with Guimarães 2012. ISBN 978-989-97763-2-6 FÁBRICA. Daniel Blaufuks. Pierre von Kleist editions (2013). 
Fábrica, a book and film by photographer Daniel Blaufuks, is a collection of images composed into an expanded scenery of memory, a walk through the abandoned spaces of one of the largest factories in Europe in an once flourishing industrial region, that never recovered from the loss of the textile market to the Chinese exports.
Hardcover w/ dust jacket. 172 pages / color, b&w. 20.5 x 25.5 cm / Includes DVD with film ‘Fábrica’ by Daniel Blaufuks  and booklet with text by Daniel Blaufuks and Eduardo Brito (in Portuguese and English). Co-published with Guimarães 2012. ISBN 978-989-97763-2-6 FÁBRICA. Daniel Blaufuks. Pierre von Kleist editions (2013). 
Fábrica, a book and film by photographer Daniel Blaufuks, is a collection of images composed into an expanded scenery of memory, a walk through the abandoned spaces of one of the largest factories in Europe in an once flourishing industrial region, that never recovered from the loss of the textile market to the Chinese exports.
Hardcover w/ dust jacket. 172 pages / color, b&w. 20.5 x 25.5 cm / Includes DVD with film ‘Fábrica’ by Daniel Blaufuks  and booklet with text by Daniel Blaufuks and Eduardo Brito (in Portuguese and English). Co-published with Guimarães 2012. ISBN 978-989-97763-2-6


FÁBRICA. Daniel Blaufuks. Pierre von Kleist editions (2013). 

Fábrica, a book and film by photographer Daniel Blaufuks, is a collection of images composed into an expanded scenery of memory, a walk through the abandoned spaces of one of the largest factories in Europe in an once flourishing industrial region, that never recovered from the loss of the textile market to the Chinese exports.

Hardcover w/ dust jacket. 172 pages / color, b&w. 20.5 x 25.5 cm / Includes DVD with film ‘Fábrica’ by Daniel Blaufuks  and booklet with text by Daniel Blaufuks and Eduardo Brito (in Portuguese and English). Co-published with Guimarães 2012. ISBN 978-989-97763-2-6

Japanische Puppen: 16 Fotos von Takabayashi Yasushi. Nachwort von Irmtraud Schaarschmdt-Richter. R. Piper & Co Verlag, München.  Japanische Puppen: 16 Fotos von Takabayashi Yasushi. Nachwort von Irmtraud Schaarschmdt-Richter. R. Piper & Co Verlag, München.  Japanische Puppen: 16 Fotos von Takabayashi Yasushi. Nachwort von Irmtraud Schaarschmdt-Richter. R. Piper & Co Verlag, München.  Japanische Puppen: 16 Fotos von Takabayashi Yasushi. Nachwort von Irmtraud Schaarschmdt-Richter. R. Piper & Co Verlag, München.  Japanische Puppen: 16 Fotos von Takabayashi Yasushi. Nachwort von Irmtraud Schaarschmdt-Richter. R. Piper & Co Verlag, München.  Japanische Puppen: 16 Fotos von Takabayashi Yasushi. Nachwort von Irmtraud Schaarschmdt-Richter. R. Piper & Co Verlag, München.  Japanische Puppen: 16 Fotos von Takabayashi Yasushi. Nachwort von Irmtraud Schaarschmdt-Richter. R. Piper & Co Verlag, München.  Japanische Puppen: 16 Fotos von Takabayashi Yasushi. Nachwort von Irmtraud Schaarschmdt-Richter. R. Piper & Co Verlag, München.  Japanische Puppen: 16 Fotos von Takabayashi Yasushi. Nachwort von Irmtraud Schaarschmdt-Richter. R. Piper & Co Verlag, München. 

Japanische Puppen: 16 Fotos von Takabayashi Yasushi. Nachwort von Irmtraud Schaarschmdt-Richter. R. Piper & Co Verlag, München. 

Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106 

Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)

Book design by AA Bronson, with cover by Michael Snow. 

126 pp. ill. 27 cm. French / English ISBN: 0920956106 

Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106  Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)
Book design by AA Bronson, with cover by Michael Snow. 
126 pp. ill. 27 cm. French / English ISBN: 0920956106 

Books by Artists. Tim Guest, Germano Celant. Art Metropole. (1981)

Book design by AA Bronson, with cover by Michael Snow. 

126 pp. ill. 27 cm. French / English ISBN: 0920956106 

Forest Gate. Kasper Andreasen. Uitgeverij Duizend & Een.
In Forest Gate the author explores the traces that enable a painting practice influenced by photography, writing, the materiality of paint, and informal gestures. These traces are accompanied by a short story that tells the account of a character Piotr, who visits a mysteriously destroyed town called Forest Gate. This place proves impossible to comprehend visually. In combination, the essay and the works reproduced here question how the author searches for an ordered image in terms of materi­ality, framing and composi­tion. The publication investigates the potential autonomy of what may seem like a catalogue: in terms of how the works instigate a piece of fiction and function as metaphors in a writing process. Designed by Louis Lüthi.
Artist’s publication, 1001 Publishers / Lectoraat Art & Public Space, Amsterdam, 2013 / Offset, 20 x 28 cm, 56 pp, ed: 400 / ISBN 978-90-71346-42-2 Forest Gate. Kasper Andreasen. Uitgeverij Duizend & Een.
In Forest Gate the author explores the traces that enable a painting practice influenced by photography, writing, the materiality of paint, and informal gestures. These traces are accompanied by a short story that tells the account of a character Piotr, who visits a mysteriously destroyed town called Forest Gate. This place proves impossible to comprehend visually. In combination, the essay and the works reproduced here question how the author searches for an ordered image in terms of materi­ality, framing and composi­tion. The publication investigates the potential autonomy of what may seem like a catalogue: in terms of how the works instigate a piece of fiction and function as metaphors in a writing process. Designed by Louis Lüthi.
Artist’s publication, 1001 Publishers / Lectoraat Art & Public Space, Amsterdam, 2013 / Offset, 20 x 28 cm, 56 pp, ed: 400 / ISBN 978-90-71346-42-2 Forest Gate. Kasper Andreasen. Uitgeverij Duizend & Een.
In Forest Gate the author explores the traces that enable a painting practice influenced by photography, writing, the materiality of paint, and informal gestures. These traces are accompanied by a short story that tells the account of a character Piotr, who visits a mysteriously destroyed town called Forest Gate. This place proves impossible to comprehend visually. In combination, the essay and the works reproduced here question how the author searches for an ordered image in terms of materi­ality, framing and composi­tion. The publication investigates the potential autonomy of what may seem like a catalogue: in terms of how the works instigate a piece of fiction and function as metaphors in a writing process. Designed by Louis Lüthi.
Artist’s publication, 1001 Publishers / Lectoraat Art & Public Space, Amsterdam, 2013 / Offset, 20 x 28 cm, 56 pp, ed: 400 / ISBN 978-90-71346-42-2 Forest Gate. Kasper Andreasen. Uitgeverij Duizend & Een.
In Forest Gate the author explores the traces that enable a painting practice influenced by photography, writing, the materiality of paint, and informal gestures. These traces are accompanied by a short story that tells the account of a character Piotr, who visits a mysteriously destroyed town called Forest Gate. This place proves impossible to comprehend visually. In combination, the essay and the works reproduced here question how the author searches for an ordered image in terms of materi­ality, framing and composi­tion. The publication investigates the potential autonomy of what may seem like a catalogue: in terms of how the works instigate a piece of fiction and function as metaphors in a writing process. Designed by Louis Lüthi.
Artist’s publication, 1001 Publishers / Lectoraat Art & Public Space, Amsterdam, 2013 / Offset, 20 x 28 cm, 56 pp, ed: 400 / ISBN 978-90-71346-42-2 Forest Gate. Kasper Andreasen. Uitgeverij Duizend & Een.
In Forest Gate the author explores the traces that enable a painting practice influenced by photography, writing, the materiality of paint, and informal gestures. These traces are accompanied by a short story that tells the account of a character Piotr, who visits a mysteriously destroyed town called Forest Gate. This place proves impossible to comprehend visually. In combination, the essay and the works reproduced here question how the author searches for an ordered image in terms of materi­ality, framing and composi­tion. The publication investigates the potential autonomy of what may seem like a catalogue: in terms of how the works instigate a piece of fiction and function as metaphors in a writing process. Designed by Louis Lüthi.
Artist’s publication, 1001 Publishers / Lectoraat Art & Public Space, Amsterdam, 2013 / Offset, 20 x 28 cm, 56 pp, ed: 400 / ISBN 978-90-71346-42-2 Forest Gate. Kasper Andreasen. Uitgeverij Duizend & Een.
In Forest Gate the author explores the traces that enable a painting practice influenced by photography, writing, the materiality of paint, and informal gestures. These traces are accompanied by a short story that tells the account of a character Piotr, who visits a mysteriously destroyed town called Forest Gate. This place proves impossible to comprehend visually. In combination, the essay and the works reproduced here question how the author searches for an ordered image in terms of materi­ality, framing and composi­tion. The publication investigates the potential autonomy of what may seem like a catalogue: in terms of how the works instigate a piece of fiction and function as metaphors in a writing process. Designed by Louis Lüthi.
Artist’s publication, 1001 Publishers / Lectoraat Art & Public Space, Amsterdam, 2013 / Offset, 20 x 28 cm, 56 pp, ed: 400 / ISBN 978-90-71346-42-2 Forest Gate. Kasper Andreasen. Uitgeverij Duizend & Een.
In Forest Gate the author explores the traces that enable a painting practice influenced by photography, writing, the materiality of paint, and informal gestures. These traces are accompanied by a short story that tells the account of a character Piotr, who visits a mysteriously destroyed town called Forest Gate. This place proves impossible to comprehend visually. In combination, the essay and the works reproduced here question how the author searches for an ordered image in terms of materi­ality, framing and composi­tion. The publication investigates the potential autonomy of what may seem like a catalogue: in terms of how the works instigate a piece of fiction and function as metaphors in a writing process. Designed by Louis Lüthi.
Artist’s publication, 1001 Publishers / Lectoraat Art & Public Space, Amsterdam, 2013 / Offset, 20 x 28 cm, 56 pp, ed: 400 / ISBN 978-90-71346-42-2 Forest Gate. Kasper Andreasen. Uitgeverij Duizend & Een.
In Forest Gate the author explores the traces that enable a painting practice influenced by photography, writing, the materiality of paint, and informal gestures. These traces are accompanied by a short story that tells the account of a character Piotr, who visits a mysteriously destroyed town called Forest Gate. This place proves impossible to comprehend visually. In combination, the essay and the works reproduced here question how the author searches for an ordered image in terms of materi­ality, framing and composi­tion. The publication investigates the potential autonomy of what may seem like a catalogue: in terms of how the works instigate a piece of fiction and function as metaphors in a writing process. Designed by Louis Lüthi.
Artist’s publication, 1001 Publishers / Lectoraat Art & Public Space, Amsterdam, 2013 / Offset, 20 x 28 cm, 56 pp, ed: 400 / ISBN 978-90-71346-42-2 Forest Gate. Kasper Andreasen. Uitgeverij Duizend & Een.
In Forest Gate the author explores the traces that enable a painting practice influenced by photography, writing, the materiality of paint, and informal gestures. These traces are accompanied by a short story that tells the account of a character Piotr, who visits a mysteriously destroyed town called Forest Gate. This place proves impossible to comprehend visually. In combination, the essay and the works reproduced here question how the author searches for an ordered image in terms of materi­ality, framing and composi­tion. The publication investigates the potential autonomy of what may seem like a catalogue: in terms of how the works instigate a piece of fiction and function as metaphors in a writing process. Designed by Louis Lüthi.
Artist’s publication, 1001 Publishers / Lectoraat Art & Public Space, Amsterdam, 2013 / Offset, 20 x 28 cm, 56 pp, ed: 400 / ISBN 978-90-71346-42-2 Forest Gate. Kasper Andreasen. Uitgeverij Duizend & Een.
In Forest Gate the author explores the traces that enable a painting practice influenced by photography, writing, the materiality of paint, and informal gestures. These traces are accompanied by a short story that tells the account of a character Piotr, who visits a mysteriously destroyed town called Forest Gate. This place proves impossible to comprehend visually. In combination, the essay and the works reproduced here question how the author searches for an ordered image in terms of materi­ality, framing and composi­tion. The publication investigates the potential autonomy of what may seem like a catalogue: in terms of how the works instigate a piece of fiction and function as metaphors in a writing process. Designed by Louis Lüthi.
Artist’s publication, 1001 Publishers / Lectoraat Art & Public Space, Amsterdam, 2013 / Offset, 20 x 28 cm, 56 pp, ed: 400 / ISBN 978-90-71346-42-2

Forest Gate. Kasper Andreasen. Uitgeverij Duizend & Een.

In Forest Gate the author explores the traces that enable a painting practice influenced by photography, writing, the materiality of paint, and informal gestures. These traces are accompanied by a short story that tells the account of a character Piotr, who visits a mysteriously destroyed town called Forest Gate. This place proves impossible to comprehend visually. In combination, the essay and the works reproduced here question how the author searches for an ordered image in terms of materi­ality, framing and composi­tion. The publication investigates the potential autonomy of what may seem like a catalogue: in terms of how the works instigate a piece of fiction and function as metaphors in a writing process. Designed by Louis Lüthi.

Artist’s publication, 1001 Publishers / Lectoraat Art & Public Space, Amsterdam, 2013 / Offset, 20 x 28 cm, 56 pp, ed: 400 / ISBN 978-90-71346-42-2

Ansichtssachen. Esther Ernst. Revolver Publishing.
I never travel without my diary. One should always have something sensational to read on the train. Not one day without a drawing, as life, banal as it is, can be such a consuming experience. 
Thus a diary, which the artist Esther Ernst has been keeping daily since 2006 on the reverse of postcards. Out of this permanently growing assortment of currently 2200 cards an extract of one year will be edited as a book. A year in the life of Esther Ernst depicted on postcards, forwarded by Revolver Verlag. 
Berlin 2012, 272 pages, 732 ill., 16,4 x 24 cm, Softcover, GermanISBN 978-3-86895-243-8 Ansichtssachen. Esther Ernst. Revolver Publishing.
I never travel without my diary. One should always have something sensational to read on the train. Not one day without a drawing, as life, banal as it is, can be such a consuming experience. 
Thus a diary, which the artist Esther Ernst has been keeping daily since 2006 on the reverse of postcards. Out of this permanently growing assortment of currently 2200 cards an extract of one year will be edited as a book. A year in the life of Esther Ernst depicted on postcards, forwarded by Revolver Verlag. 
Berlin 2012, 272 pages, 732 ill., 16,4 x 24 cm, Softcover, GermanISBN 978-3-86895-243-8 Ansichtssachen. Esther Ernst. Revolver Publishing.
I never travel without my diary. One should always have something sensational to read on the train. Not one day without a drawing, as life, banal as it is, can be such a consuming experience. 
Thus a diary, which the artist Esther Ernst has been keeping daily since 2006 on the reverse of postcards. Out of this permanently growing assortment of currently 2200 cards an extract of one year will be edited as a book. A year in the life of Esther Ernst depicted on postcards, forwarded by Revolver Verlag. 
Berlin 2012, 272 pages, 732 ill., 16,4 x 24 cm, Softcover, GermanISBN 978-3-86895-243-8 Ansichtssachen. Esther Ernst. Revolver Publishing.
I never travel without my diary. One should always have something sensational to read on the train. Not one day without a drawing, as life, banal as it is, can be such a consuming experience. 
Thus a diary, which the artist Esther Ernst has been keeping daily since 2006 on the reverse of postcards. Out of this permanently growing assortment of currently 2200 cards an extract of one year will be edited as a book. A year in the life of Esther Ernst depicted on postcards, forwarded by Revolver Verlag. 
Berlin 2012, 272 pages, 732 ill., 16,4 x 24 cm, Softcover, GermanISBN 978-3-86895-243-8 Ansichtssachen. Esther Ernst. Revolver Publishing.
I never travel without my diary. One should always have something sensational to read on the train. Not one day without a drawing, as life, banal as it is, can be such a consuming experience. 
Thus a diary, which the artist Esther Ernst has been keeping daily since 2006 on the reverse of postcards. Out of this permanently growing assortment of currently 2200 cards an extract of one year will be edited as a book. A year in the life of Esther Ernst depicted on postcards, forwarded by Revolver Verlag. 
Berlin 2012, 272 pages, 732 ill., 16,4 x 24 cm, Softcover, GermanISBN 978-3-86895-243-8 Ansichtssachen. Esther Ernst. Revolver Publishing.
I never travel without my diary. One should always have something sensational to read on the train. Not one day without a drawing, as life, banal as it is, can be such a consuming experience. 
Thus a diary, which the artist Esther Ernst has been keeping daily since 2006 on the reverse of postcards. Out of this permanently growing assortment of currently 2200 cards an extract of one year will be edited as a book. A year in the life of Esther Ernst depicted on postcards, forwarded by Revolver Verlag. 
Berlin 2012, 272 pages, 732 ill., 16,4 x 24 cm, Softcover, GermanISBN 978-3-86895-243-8 Ansichtssachen. Esther Ernst. Revolver Publishing.
I never travel without my diary. One should always have something sensational to read on the train. Not one day without a drawing, as life, banal as it is, can be such a consuming experience. 
Thus a diary, which the artist Esther Ernst has been keeping daily since 2006 on the reverse of postcards. Out of this permanently growing assortment of currently 2200 cards an extract of one year will be edited as a book. A year in the life of Esther Ernst depicted on postcards, forwarded by Revolver Verlag. 
Berlin 2012, 272 pages, 732 ill., 16,4 x 24 cm, Softcover, GermanISBN 978-3-86895-243-8 Ansichtssachen. Esther Ernst. Revolver Publishing.
I never travel without my diary. One should always have something sensational to read on the train. Not one day without a drawing, as life, banal as it is, can be such a consuming experience. 
Thus a diary, which the artist Esther Ernst has been keeping daily since 2006 on the reverse of postcards. Out of this permanently growing assortment of currently 2200 cards an extract of one year will be edited as a book. A year in the life of Esther Ernst depicted on postcards, forwarded by Revolver Verlag. 
Berlin 2012, 272 pages, 732 ill., 16,4 x 24 cm, Softcover, GermanISBN 978-3-86895-243-8 Ansichtssachen. Esther Ernst. Revolver Publishing.
I never travel without my diary. One should always have something sensational to read on the train. Not one day without a drawing, as life, banal as it is, can be such a consuming experience. 
Thus a diary, which the artist Esther Ernst has been keeping daily since 2006 on the reverse of postcards. Out of this permanently growing assortment of currently 2200 cards an extract of one year will be edited as a book. A year in the life of Esther Ernst depicted on postcards, forwarded by Revolver Verlag. 
Berlin 2012, 272 pages, 732 ill., 16,4 x 24 cm, Softcover, GermanISBN 978-3-86895-243-8 Ansichtssachen. Esther Ernst. Revolver Publishing.
I never travel without my diary. One should always have something sensational to read on the train. Not one day without a drawing, as life, banal as it is, can be such a consuming experience. 
Thus a diary, which the artist Esther Ernst has been keeping daily since 2006 on the reverse of postcards. Out of this permanently growing assortment of currently 2200 cards an extract of one year will be edited as a book. A year in the life of Esther Ernst depicted on postcards, forwarded by Revolver Verlag. 
Berlin 2012, 272 pages, 732 ill., 16,4 x 24 cm, Softcover, GermanISBN 978-3-86895-243-8

Ansichtssachen. Esther Ernst. Revolver Publishing.

I never travel without my diary. One should always have something sensational to read on the train. Not one day without a drawing, as life, banal as it is, can be such a consuming experience. 

Thus a diary, which the artist Esther Ernst has been keeping daily since 2006 on the reverse of postcards. Out of this permanently growing assortment of currently 2200 cards an extract of one year will be edited as a book. A year in the life of Esther Ernst depicted on postcards, forwarded by Revolver Verlag. 

Berlin 2012, 272 pages, 732 ill., 16,4 x 24 cm, Softcover, German
ISBN 978-3-86895-243-8

Casa de Lava - Caderno. Pedro Costa. Pierre von Kleist editions. 
During the course of the production preparation for his film ‘Casa de Lava’ (1994), portuguese filmmaker Pedro Costa compiled what he saw, what he read, his many ideas and images into a scrapbook instead of a screenplay.
Paintings, movie stills, letters, newspaper articles, scribbles, quotes from novels, postcards, lines of dialogue, snapshots, that guided him throughout the shooting of the film and that he continued - and finished - after returning to Lisboa.
Hardcover / 14.6 x 20.9 cm / 144 pages / ISBN 978-989-97763-3-3 Casa de Lava - Caderno. Pedro Costa. Pierre von Kleist editions. 
During the course of the production preparation for his film ‘Casa de Lava’ (1994), portuguese filmmaker Pedro Costa compiled what he saw, what he read, his many ideas and images into a scrapbook instead of a screenplay.
Paintings, movie stills, letters, newspaper articles, scribbles, quotes from novels, postcards, lines of dialogue, snapshots, that guided him throughout the shooting of the film and that he continued - and finished - after returning to Lisboa.
Hardcover / 14.6 x 20.9 cm / 144 pages / ISBN 978-989-97763-3-3 Casa de Lava - Caderno. Pedro Costa. Pierre von Kleist editions. 
During the course of the production preparation for his film ‘Casa de Lava’ (1994), portuguese filmmaker Pedro Costa compiled what he saw, what he read, his many ideas and images into a scrapbook instead of a screenplay.
Paintings, movie stills, letters, newspaper articles, scribbles, quotes from novels, postcards, lines of dialogue, snapshots, that guided him throughout the shooting of the film and that he continued - and finished - after returning to Lisboa.
Hardcover / 14.6 x 20.9 cm / 144 pages / ISBN 978-989-97763-3-3 Casa de Lava - Caderno. Pedro Costa. Pierre von Kleist editions. 
During the course of the production preparation for his film ‘Casa de Lava’ (1994), portuguese filmmaker Pedro Costa compiled what he saw, what he read, his many ideas and images into a scrapbook instead of a screenplay.
Paintings, movie stills, letters, newspaper articles, scribbles, quotes from novels, postcards, lines of dialogue, snapshots, that guided him throughout the shooting of the film and that he continued - and finished - after returning to Lisboa.
Hardcover / 14.6 x 20.9 cm / 144 pages / ISBN 978-989-97763-3-3 Casa de Lava - Caderno. Pedro Costa. Pierre von Kleist editions. 
During the course of the production preparation for his film ‘Casa de Lava’ (1994), portuguese filmmaker Pedro Costa compiled what he saw, what he read, his many ideas and images into a scrapbook instead of a screenplay.
Paintings, movie stills, letters, newspaper articles, scribbles, quotes from novels, postcards, lines of dialogue, snapshots, that guided him throughout the shooting of the film and that he continued - and finished - after returning to Lisboa.
Hardcover / 14.6 x 20.9 cm / 144 pages / ISBN 978-989-97763-3-3 Casa de Lava - Caderno. Pedro Costa. Pierre von Kleist editions. 
During the course of the production preparation for his film ‘Casa de Lava’ (1994), portuguese filmmaker Pedro Costa compiled what he saw, what he read, his many ideas and images into a scrapbook instead of a screenplay.
Paintings, movie stills, letters, newspaper articles, scribbles, quotes from novels, postcards, lines of dialogue, snapshots, that guided him throughout the shooting of the film and that he continued - and finished - after returning to Lisboa.
Hardcover / 14.6 x 20.9 cm / 144 pages / ISBN 978-989-97763-3-3 Casa de Lava - Caderno. Pedro Costa. Pierre von Kleist editions. 
During the course of the production preparation for his film ‘Casa de Lava’ (1994), portuguese filmmaker Pedro Costa compiled what he saw, what he read, his many ideas and images into a scrapbook instead of a screenplay.
Paintings, movie stills, letters, newspaper articles, scribbles, quotes from novels, postcards, lines of dialogue, snapshots, that guided him throughout the shooting of the film and that he continued - and finished - after returning to Lisboa.
Hardcover / 14.6 x 20.9 cm / 144 pages / ISBN 978-989-97763-3-3 Casa de Lava - Caderno. Pedro Costa. Pierre von Kleist editions. 
During the course of the production preparation for his film ‘Casa de Lava’ (1994), portuguese filmmaker Pedro Costa compiled what he saw, what he read, his many ideas and images into a scrapbook instead of a screenplay.
Paintings, movie stills, letters, newspaper articles, scribbles, quotes from novels, postcards, lines of dialogue, snapshots, that guided him throughout the shooting of the film and that he continued - and finished - after returning to Lisboa.
Hardcover / 14.6 x 20.9 cm / 144 pages / ISBN 978-989-97763-3-3 Casa de Lava - Caderno. Pedro Costa. Pierre von Kleist editions. 
During the course of the production preparation for his film ‘Casa de Lava’ (1994), portuguese filmmaker Pedro Costa compiled what he saw, what he read, his many ideas and images into a scrapbook instead of a screenplay.
Paintings, movie stills, letters, newspaper articles, scribbles, quotes from novels, postcards, lines of dialogue, snapshots, that guided him throughout the shooting of the film and that he continued - and finished - after returning to Lisboa.
Hardcover / 14.6 x 20.9 cm / 144 pages / ISBN 978-989-97763-3-3 Casa de Lava - Caderno. Pedro Costa. Pierre von Kleist editions. 
During the course of the production preparation for his film ‘Casa de Lava’ (1994), portuguese filmmaker Pedro Costa compiled what he saw, what he read, his many ideas and images into a scrapbook instead of a screenplay.
Paintings, movie stills, letters, newspaper articles, scribbles, quotes from novels, postcards, lines of dialogue, snapshots, that guided him throughout the shooting of the film and that he continued - and finished - after returning to Lisboa.
Hardcover / 14.6 x 20.9 cm / 144 pages / ISBN 978-989-97763-3-3

Casa de Lava - Caderno. Pedro Costa. Pierre von Kleist editions

During the course of the production preparation for his film ‘Casa de Lava’ (1994), portuguese filmmaker Pedro Costa compiled what he saw, what he read, his many ideas and images into a scrapbook instead of a screenplay.

Paintings, movie stills, letters, newspaper articles, scribbles, quotes from novels, postcards, lines of dialogue, snapshots, that guided him throughout the shooting of the film and that he continued - and finished - after returning to Lisboa.

Hardcover / 14.6 x 20.9 cm / 144 pages / ISBN 978-989-97763-3-3

Wallpaperism. Nick Oberthaler, Izet Sheshivari (Eds.). Boabooks. 
ISBN 978-2-940409-43-3. Black glued on left side | 82 pages, 41 illustrations | 210 x 297 mm. Wallpaperism. Nick Oberthaler, Izet Sheshivari (Eds.). Boabooks. 
ISBN 978-2-940409-43-3. Black glued on left side | 82 pages, 41 illustrations | 210 x 297 mm. Wallpaperism. Nick Oberthaler, Izet Sheshivari (Eds.). Boabooks. 
ISBN 978-2-940409-43-3. Black glued on left side | 82 pages, 41 illustrations | 210 x 297 mm. Wallpaperism. Nick Oberthaler, Izet Sheshivari (Eds.). Boabooks. 
ISBN 978-2-940409-43-3. Black glued on left side | 82 pages, 41 illustrations | 210 x 297 mm. Wallpaperism. Nick Oberthaler, Izet Sheshivari (Eds.). Boabooks. 
ISBN 978-2-940409-43-3. Black glued on left side | 82 pages, 41 illustrations | 210 x 297 mm. Wallpaperism. Nick Oberthaler, Izet Sheshivari (Eds.). Boabooks. 
ISBN 978-2-940409-43-3. Black glued on left side | 82 pages, 41 illustrations | 210 x 297 mm. Wallpaperism. Nick Oberthaler, Izet Sheshivari (Eds.). Boabooks. 
ISBN 978-2-940409-43-3. Black glued on left side | 82 pages, 41 illustrations | 210 x 297 mm.

Wallpaperism. Nick Oberthaler, Izet Sheshivari (Eds.). Boabooks

ISBN 978-2-940409-43-3. Black glued on left side | 82 pages, 41 illustrations | 210 x 297 mm.

Discovering Beautiful Shapes. No. 58. 6. 1960.  Discovering Beautiful Shapes. No. 58. 6. 1960.  Discovering Beautiful Shapes. No. 58. 6. 1960.  Discovering Beautiful Shapes. No. 58. 6. 1960.  Discovering Beautiful Shapes. No. 58. 6. 1960.  Discovering Beautiful Shapes. No. 58. 6. 1960.  Discovering Beautiful Shapes. No. 58. 6. 1960.  Discovering Beautiful Shapes. No. 58. 6. 1960.  Discovering Beautiful Shapes. No. 58. 6. 1960.  Discovering Beautiful Shapes. No. 58. 6. 1960. 
Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4. 

Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 

Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 

ISBN 2-9700349-6-4. 

Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4.  Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 
Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 
ISBN 2-9700349-6-4. 

Dieter Roth. Die Bibliothek. Centre Dürrenmatt Neuchatel (2003). 

Ausstellungskatalog zur Wechselausstellung Dieter Roth - Die Bibliothek, April bis Oktober 2003. Herausgegeben von Johannes Gachnang in Zusammenarbeit mit Peter Erismann und Janine Perret Sgualdo. 

ISBN 2-9700349-6-4. 

Ulisses. Stéphane Le Mercier. Éditions Incertain Sens.
"Au printemps 1998, bénéficiant d’un petit bureau au James Joyce Centre de Dublin, j’ai photocopié la plupart des couvertures et quelques pages intérieures, des traductions mondiales d’Ulysse. Vitement réalisées et à des fins documentaires, ces photocopies sont parcourues de bruits (déplacement du livre, agrandissement aléatoire, présence furtive de la main, rayures, etc) comme autant d’ornements ajoutés à la polyphonie de l’œuvre. Enfin, ce projet s’accompagne aujourd’hui d’une réflexion insoupçonnable à l’époque : le traitement fait aux livres dans le cadre de leur numérisation sauvage."
[40 pages], agrafées, offset noir & blanc, 33 x 23 cm. Dépôt légal mai 2013, 1000 exemplaires, ISBN 978-2-914291-56-9, 10€. Coédition avec le FRAC Bretagne (Rennes). Ulisses. Stéphane Le Mercier. Éditions Incertain Sens.
"Au printemps 1998, bénéficiant d’un petit bureau au James Joyce Centre de Dublin, j’ai photocopié la plupart des couvertures et quelques pages intérieures, des traductions mondiales d’Ulysse. Vitement réalisées et à des fins documentaires, ces photocopies sont parcourues de bruits (déplacement du livre, agrandissement aléatoire, présence furtive de la main, rayures, etc) comme autant d’ornements ajoutés à la polyphonie de l’œuvre. Enfin, ce projet s’accompagne aujourd’hui d’une réflexion insoupçonnable à l’époque : le traitement fait aux livres dans le cadre de leur numérisation sauvage."
[40 pages], agrafées, offset noir & blanc, 33 x 23 cm. Dépôt légal mai 2013, 1000 exemplaires, ISBN 978-2-914291-56-9, 10€. Coédition avec le FRAC Bretagne (Rennes). Ulisses. Stéphane Le Mercier. Éditions Incertain Sens.
"Au printemps 1998, bénéficiant d’un petit bureau au James Joyce Centre de Dublin, j’ai photocopié la plupart des couvertures et quelques pages intérieures, des traductions mondiales d’Ulysse. Vitement réalisées et à des fins documentaires, ces photocopies sont parcourues de bruits (déplacement du livre, agrandissement aléatoire, présence furtive de la main, rayures, etc) comme autant d’ornements ajoutés à la polyphonie de l’œuvre. Enfin, ce projet s’accompagne aujourd’hui d’une réflexion insoupçonnable à l’époque : le traitement fait aux livres dans le cadre de leur numérisation sauvage."
[40 pages], agrafées, offset noir & blanc, 33 x 23 cm. Dépôt légal mai 2013, 1000 exemplaires, ISBN 978-2-914291-56-9, 10€. Coédition avec le FRAC Bretagne (Rennes). Ulisses. Stéphane Le Mercier. Éditions Incertain Sens.
"Au printemps 1998, bénéficiant d’un petit bureau au James Joyce Centre de Dublin, j’ai photocopié la plupart des couvertures et quelques pages intérieures, des traductions mondiales d’Ulysse. Vitement réalisées et à des fins documentaires, ces photocopies sont parcourues de bruits (déplacement du livre, agrandissement aléatoire, présence furtive de la main, rayures, etc) comme autant d’ornements ajoutés à la polyphonie de l’œuvre. Enfin, ce projet s’accompagne aujourd’hui d’une réflexion insoupçonnable à l’époque : le traitement fait aux livres dans le cadre de leur numérisation sauvage."
[40 pages], agrafées, offset noir & blanc, 33 x 23 cm. Dépôt légal mai 2013, 1000 exemplaires, ISBN 978-2-914291-56-9, 10€. Coédition avec le FRAC Bretagne (Rennes). Ulisses. Stéphane Le Mercier. Éditions Incertain Sens.
"Au printemps 1998, bénéficiant d’un petit bureau au James Joyce Centre de Dublin, j’ai photocopié la plupart des couvertures et quelques pages intérieures, des traductions mondiales d’Ulysse. Vitement réalisées et à des fins documentaires, ces photocopies sont parcourues de bruits (déplacement du livre, agrandissement aléatoire, présence furtive de la main, rayures, etc) comme autant d’ornements ajoutés à la polyphonie de l’œuvre. Enfin, ce projet s’accompagne aujourd’hui d’une réflexion insoupçonnable à l’époque : le traitement fait aux livres dans le cadre de leur numérisation sauvage."
[40 pages], agrafées, offset noir & blanc, 33 x 23 cm. Dépôt légal mai 2013, 1000 exemplaires, ISBN 978-2-914291-56-9, 10€. Coédition avec le FRAC Bretagne (Rennes). Ulisses. Stéphane Le Mercier. Éditions Incertain Sens.
"Au printemps 1998, bénéficiant d’un petit bureau au James Joyce Centre de Dublin, j’ai photocopié la plupart des couvertures et quelques pages intérieures, des traductions mondiales d’Ulysse. Vitement réalisées et à des fins documentaires, ces photocopies sont parcourues de bruits (déplacement du livre, agrandissement aléatoire, présence furtive de la main, rayures, etc) comme autant d’ornements ajoutés à la polyphonie de l’œuvre. Enfin, ce projet s’accompagne aujourd’hui d’une réflexion insoupçonnable à l’époque : le traitement fait aux livres dans le cadre de leur numérisation sauvage."
[40 pages], agrafées, offset noir & blanc, 33 x 23 cm. Dépôt légal mai 2013, 1000 exemplaires, ISBN 978-2-914291-56-9, 10€. Coédition avec le FRAC Bretagne (Rennes). Ulisses. Stéphane Le Mercier. Éditions Incertain Sens.
"Au printemps 1998, bénéficiant d’un petit bureau au James Joyce Centre de Dublin, j’ai photocopié la plupart des couvertures et quelques pages intérieures, des traductions mondiales d’Ulysse. Vitement réalisées et à des fins documentaires, ces photocopies sont parcourues de bruits (déplacement du livre, agrandissement aléatoire, présence furtive de la main, rayures, etc) comme autant d’ornements ajoutés à la polyphonie de l’œuvre. Enfin, ce projet s’accompagne aujourd’hui d’une réflexion insoupçonnable à l’époque : le traitement fait aux livres dans le cadre de leur numérisation sauvage."
[40 pages], agrafées, offset noir & blanc, 33 x 23 cm. Dépôt légal mai 2013, 1000 exemplaires, ISBN 978-2-914291-56-9, 10€. Coédition avec le FRAC Bretagne (Rennes). Ulisses. Stéphane Le Mercier. Éditions Incertain Sens.
"Au printemps 1998, bénéficiant d’un petit bureau au James Joyce Centre de Dublin, j’ai photocopié la plupart des couvertures et quelques pages intérieures, des traductions mondiales d’Ulysse. Vitement réalisées et à des fins documentaires, ces photocopies sont parcourues de bruits (déplacement du livre, agrandissement aléatoire, présence furtive de la main, rayures, etc) comme autant d’ornements ajoutés à la polyphonie de l’œuvre. Enfin, ce projet s’accompagne aujourd’hui d’une réflexion insoupçonnable à l’époque : le traitement fait aux livres dans le cadre de leur numérisation sauvage."
[40 pages], agrafées, offset noir & blanc, 33 x 23 cm. Dépôt légal mai 2013, 1000 exemplaires, ISBN 978-2-914291-56-9, 10€. Coédition avec le FRAC Bretagne (Rennes). Ulisses. Stéphane Le Mercier. Éditions Incertain Sens.
"Au printemps 1998, bénéficiant d’un petit bureau au James Joyce Centre de Dublin, j’ai photocopié la plupart des couvertures et quelques pages intérieures, des traductions mondiales d’Ulysse. Vitement réalisées et à des fins documentaires, ces photocopies sont parcourues de bruits (déplacement du livre, agrandissement aléatoire, présence furtive de la main, rayures, etc) comme autant d’ornements ajoutés à la polyphonie de l’œuvre. Enfin, ce projet s’accompagne aujourd’hui d’une réflexion insoupçonnable à l’époque : le traitement fait aux livres dans le cadre de leur numérisation sauvage."
[40 pages], agrafées, offset noir & blanc, 33 x 23 cm. Dépôt légal mai 2013, 1000 exemplaires, ISBN 978-2-914291-56-9, 10€. Coédition avec le FRAC Bretagne (Rennes). Ulisses. Stéphane Le Mercier. Éditions Incertain Sens.
"Au printemps 1998, bénéficiant d’un petit bureau au James Joyce Centre de Dublin, j’ai photocopié la plupart des couvertures et quelques pages intérieures, des traductions mondiales d’Ulysse. Vitement réalisées et à des fins documentaires, ces photocopies sont parcourues de bruits (déplacement du livre, agrandissement aléatoire, présence furtive de la main, rayures, etc) comme autant d’ornements ajoutés à la polyphonie de l’œuvre. Enfin, ce projet s’accompagne aujourd’hui d’une réflexion insoupçonnable à l’époque : le traitement fait aux livres dans le cadre de leur numérisation sauvage."
[40 pages], agrafées, offset noir & blanc, 33 x 23 cm. Dépôt légal mai 2013, 1000 exemplaires, ISBN 978-2-914291-56-9, 10€. Coédition avec le FRAC Bretagne (Rennes).

UlissesStéphane Le MercierÉditions Incertain Sens.

"Au printemps 1998, bénéficiant d’un petit bureau au James Joyce Centre de Dublin, j’ai photocopié la plupart des couvertures et quelques pages intérieures, des traductions mondiales d’Ulysse. Vitement réalisées et à des fins documentaires, ces photocopies sont parcourues de bruits (déplacement du livre, agrandissement aléatoire, présence furtive de la main, rayures, etc) comme autant d’ornements ajoutés à la polyphonie de l’œuvre. Enfin, ce projet s’accompagne aujourd’hui d’une réflexion insoupçonnable à l’époque : le traitement fait aux livres dans le cadre de leur numérisation sauvage."

[40 pages], agrafées, offset noir & blanc, 33 x 23 cm. Dépôt légal mai 2013, 1000 exemplaires, ISBN 978-2-914291-56-9, 10€. Coédition avec le FRAC Bretagne (Rennes).

The Book Boutique at Galerie Weiss, Zurich.  The Book Boutique at Galerie Weiss, Zurich.  The Book Boutique at Galerie Weiss, Zurich.  The Book Boutique at Galerie Weiss, Zurich.  The Book Boutique at Galerie Weiss, Zurich.  The Book Boutique at Galerie Weiss, Zurich. 
It’s a Book independent publishing fair at the Hochschule für Grafik und Buchkunst, Leipzig (March 2014). It’s a Book independent publishing fair at the Hochschule für Grafik und Buchkunst, Leipzig (March 2014). It’s a Book independent publishing fair at the Hochschule für Grafik und Buchkunst, Leipzig (March 2014). It’s a Book independent publishing fair at the Hochschule für Grafik und Buchkunst, Leipzig (March 2014). It’s a Book independent publishing fair at the Hochschule für Grafik und Buchkunst, Leipzig (March 2014). It’s a Book independent publishing fair at the Hochschule für Grafik und Buchkunst, Leipzig (March 2014). It’s a Book independent publishing fair at the Hochschule für Grafik und Buchkunst, Leipzig (March 2014).

It’s a Book independent publishing fair at the Hochschule für Grafik und Buchkunst, Leipzig (March 2014).

Jean-Michel Wicker drawer-vitrine display at Motto Berlin (2013).